ABOUT

FILM REVIEWS


About


Presented below are selected film reviews.
Reviews are based on a four-(4) point system:

1 =
Putrid
2 =
Mediocre
3 =
Good
4 =
Great

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Why do I write film reviews?

 

Why not? Just like you or anyone else, I have just as much right to convey my assessment of films. Plus, as validated by the number of films I've reviewed on this web site - which is a drop in the ocean to the overall number of U.S. domestic and international films I've seen, oh yes, my knowledge of films and the number of films I've seen is easily as great if not greater than most people who review films.

Notably, when I write full reviews, I write with facts to persuasively prompt the reader to make an informed decision.  I started writing film reviews because published reviews in trade publications (Variety, Hollywood Reporter, etc.), magazines, and local and national newspapers were – and remain – primarily written by White males and a few White females, and these are overwhelmingly skewed, flawed, one-sided, sexist, and racist – which remains true to this very day!  There’s very little “color” in national print and broadcast media, and the “glass ceiling” has not disappeared.


So, again, I write with factspragmatic, linear assessments to persuasively prompt the reader to make an informed, an insightful decision. For example, instead of jumping on the bandwagon giving praise to “Black Panther” you need to know why the film sucked, and how it should have, could have been a much better film.   

 

 

Only as an “enlightened consumer,” can you avoid wasting your time and money watching yet another stupid entry in the “Star Wars” film franchise or all of the "Kelvin Timeline" theatrical “Star Trek” films released between 2009 and 2016. Do directors and producers actually watch their films prior to release? Many don't, because too many films appear episodic as if for broadcast television, or as nothing more than "easy money" hatchet jobs of incoherent dialogue and special effects.    

 

No, I’m not a wannabe actor, or screenwriter, or director; however, I’ve seen well over 250,000 films (domestic and foreign, all genrés), read hundreds of scripts, and books about filmmaking – so I’m not uninformed.  Consequently, when scripts are so predictable that even dogs know when to leave the room to go pee, well, that’s a problem!  I place great value on my time, and the “quality” of the film-going experience should not be compromised by lousy acting, stupid scripts, racism, pathetic remakes, terrible editing, poor production values, and crappy direction.  Great films are being made, and “we” need to recognize these films, but unfortunately, the “Hollywood” caste system often makes it extremely difficult to create, produce and distribute quality product.

Yes, over the years I’ve submitted my reviews to many local, regional and national print and broadcast media, but the veracity of my film reviews typically do not align with the commercial and political interests of the largely incestuous and self-absorbed group of elites who control everything, whether White owned-and-controlled (including BET.com) or Black-owned and controlled.  Given the aforementioned, please enjoy the independence of my self-published reviews, unabridged, and uncensored.

Beginning in 2014 full or expanded reviews (identified by the film "slate" graphic below) of all films screened were discontinued, because the overwhelming majority of "Hollywood" feature films are typically mediocre, predictable, and repetitive and do not merit a robust analysis. Nevertheless, whenever possible, full or expanded reviews will be posted. Reviews are provided as a sampling and not as a complete listing of all films reviewed. Unless stated otherwise, all films are reviewed theatrically, on-site in a theater operated by a member of the National Association of Theatre Owners (NATO).

10 Largest
Movie Theater Chains Worldwide

Rank by Revenue

Circuit
2021
Revenue
Headquarters
Screens
Ranked by Screens
1
AMC Entertainment Inc
$2.53 billion
Leawood, KS
11,041
1
2
Wanda Cinemas $1.85 billion
Beijing, China
1,657
10
3
Cineworld $1.8 billion
London, England
9,500
2
4
Cinemark Theatres
$1.51 billion
Plano, TX
5,957
4
5
Cinépolis
$1.51 billion
Morelia, Michoacán, Mexico
5,251
5
6
Regal Cinemas
(a division of Cineworld)
$627.4 million
Knoxville, TN
7,200
3
7
Cineplex Entertainment
$515.22 million
Toronto, ON
1,676
9
8
Vue
London, England
1,990
8
9
CGV
Seoul, South Korea
3,459
6
10
Cinemex
$ 30.2 million
Mexico City, Mexico
2,861
7

Source: https://www.zippia.com/advice/largest-movie-theater-chains/
 
National Association of Theatre Owners
The National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world. According to their figures, the top five-(5) chains represent ninety-(90) percent of theater screens in North America. According to NATO, as of March 14, 2022 there are 24,414 screens in 1,920 sites.

For the average U.S. ticket price is, click here.

Rank
Circuit
Headquarters
Screens
Sites
1
AMC Entertainment Inc
Kansas City, MO
7,850
600
2
Regal Entertainment Group
Knoxville, TN
6,851
514
3
Cinemark Theatres
Plano, TX
4,426
323
4
Cineplex Entertainment
Toronto, ON
1,676
164
5
Marcus Theatres
Milwaukee, WI
1,064
89
6
B&B Theatres
Liberty, MO
513
56
7
Harkins Theatres
Phoenix, AZ
494
33
8
Kinepolis / Landmark Cinemas of Canada / MJR Theatres
Calgary, AB
489
50
9
Malco Theatres Inc.
Memphis, TN
354
34
10
National Amusements
Dedham, MA
350
26
11
CMX Cinemas
Miami, FL
347
31

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THE NUMBERS

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